{"id":1403,"date":"2010-04-19T22:25:55","date_gmt":"2010-04-19T20:25:55","guid":{"rendered":"http:\/\/kotoba.japankunde.de\/?p=1403"},"modified":"2010-04-19T22:26:51","modified_gmt":"2010-04-19T20:26:51","slug":"hymnenklau-copycat-in-shanghai","status":"publish","type":"post","link":"https:\/\/kotoba.japankunde.de\/?p=1403","title":{"rendered":"Hymnenklau: Copycat in Shanghai"},"content":{"rendered":"<p><noscript><img decoding=\"async\" src=\"http:\/\/img.expo2010.cn\/expocn\/pics\/27\/27902.jpg\" width=20% height=20%><\/noscript><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns='http:\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20%20'%3E%3C\/svg%3E\" data-src=\"http:\/\/img.expo2010.cn\/expocn\/pics\/27\/27902.jpg\" width=20% height=20%class=\"lozad\" \/><br \/>\nAm 1. Mai 2010 soll die Weltausstellung in Shanghai er\u00f6ffnet werden, zu der 70 Millionen Besucher str\u00f6men sollen &#8212; HaiBao \u6d77\u5bf3, das zahnpastaf\u00f6rmige blaue Maskottchen, wirbt inzwischen weltweit daf\u00fcr. HaiBao ist das Produkt einer Zusammenarbeit zwischen einem chinesischen und einem taiwanischen K\u00fcnstler; also ein praktischer Beitrag zur V\u00f6lkerverst\u00e4ndigung.<br \/>\nWas die Grafiker k\u00f6nnen, k\u00f6nnen die Musiker schon lange: Die <a href=\"http:\/\/en.expo2010.cn\/expo\/expo_english\/documents\/bulletin\/userobject1ai6983.html\">Ausschreibung<\/a> f\u00fcr die Expo-Hymne von 2005 verlangte:<\/p>\n<blockquote><p>The World Expo 2010 Shanghai China Theme Song should embody the concept of the World Expo 2010 Shanghai China, that is:&#8220;understanding, communication, gathering and co-operation&#8220; from around the world.<\/p><\/blockquote>\n<p>Die schlie\u00dflich ausgew\u00e4hlte Hymne pa\u00dfte wunderbar hierzu, vor allem in den Punkten &#8222;gathering and co-operation&#8220;. Denn dem japanischen Publikum kam die Expo-Hymne seltsam bekannt vor. Kein Wunder &#8212; sie ist offensichtlich ein <a href=\"http:\/\/search.japantimes.co.jp\/print\/nn20100419a6.html\">Plagiat<\/a> eines Schlagers, den Okamoto Mayo 1997 gesungen hat: Sono mama no kimi de ite \u305d\u306e\u307e\u307e\u306e\u541b\u3067\u3044\u3066 &#8212; &#8222;Bleib so, wie du bist&#8220;.<br \/>\nAuch ein sch\u00f6nes Motto f\u00fcr eine Expo. Aber Chinas Beh\u00f6rden haben entschieden, da\u00df die geklaute Expo-Hymne im Reiche der Plagiate nicht mehr verwendet werden soll.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Am 1. Mai 2010 soll die Weltausstellung in Shanghai er\u00f6ffnet werden, zu der 70 Millionen Besucher str\u00f6men sollen &#8212; HaiBao \u6d77\u5bf3, das zahnpastaf\u00f6rmige blaue Maskottchen, wirbt inzwischen weltweit daf\u00fcr. HaiBao ist das Produkt einer Zusammenarbeit zwischen einem chinesischen und einem taiwanischen K\u00fcnstler; also ein praktischer Beitrag zur V\u00f6lkerverst\u00e4ndigung. Was die Grafiker k\u00f6nnen, k\u00f6nnen die Musiker schon lange: Die Ausschreibung f\u00fcr die Expo-Hymne von 2005 verlangte: The World Expo 2010 Shanghai China Theme Song should embody the concept of the World Expo 2010 Shanghai China, that is:&#8220;understanding, communication, gathering and co-operation&#8220; [&hellip;]<\/p>\n","protected":false},"author":49,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[4,28],"tags":[419,89,242],"class_list":{"0":"post-1403","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-china","7":"category-japan","8":"tag-expo","9":"tag-plagiat","10":"tag-shanghai","11":"bnp_pattern1","12":"cat-4-id","13":"cat-28-id"},"_links":{"self":[{"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=\/wp\/v2\/posts\/1403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1403"}],"version-history":[{"count":4,"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=\/wp\/v2\/posts\/1403\/revisions"}],"predecessor-version":[{"id":1407,"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=\/wp\/v2\/posts\/1403\/revisions\/1407"}],"wp:attachment":[{"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kotoba.japankunde.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}